Keanu reeves dating somethings gotta give

19-Oct-2016 01:13 by 2 Comments

Keanu reeves dating somethings gotta give

Again and again, characters in the film refer to her strength, her independence, her decisiveness.This, despite the fact that she spends half the movie giggling and the other half sobbing.

Indeed, the only way a man this coarse and fat and vain could get hot young sex in his sixties is if he actually is Jack Nicholson; if we for one moment believed that this lout was really a record producer named Harry Sanborn, the character would immediately be rendered either absurd or repulsive.

Meyer (who also did remakes) knows exactly what each scene is supposed to do and sends loud enough signals that everyone in the audience knows, too.

The problem is that all too often Meyer uses this collective knowledge as an excuse not to have the scene actually what we all know it was supposed to do.

The movie loves itself so much that it turns its script into a script.

Ironically, it is exactly Keaton's failure to portray the character written for her--the "brilliant," "formidable," "impervious" playwright--that surely accounts for the popularity of her performance with critics and audiences alike.

It'll be a movie about older men with younger women, and older women with younger men--we'll get some kid, like maybe Keanu, to be interested in Diane, too--and, this is the best part, never moves much beyond this cynical premise.

Writer-director Nancy Meyer opens the film with perhaps the most painfully contrived setup since the cancellation of "Three's Company." Nicholson and his young girlfriend (Amanda Peet) go to her mother's gorgeous Hamptons beach house to spend the weekend consummating their relationship.It's more like the pitch for a movie, not a film but a project, the brainstorm of an agent-you know, the astronaut. He's done with Shirley Mac Laine and back to dating young girls.He meets Annie--Diane--because he's dating her twentysomething daughter, and they immediately hate each other. So it's a battle of the sexes, because Jack's still charming but offensive and Diane's still pretty but neurotic.Not because she ever says anything particularly clever, nor even because anyone cites a memorable moment from one of her plays.No, we know it because the characters say so, over and over: "She's totally brilliant"; "She is so accomplished"; "the most successful female playwright since who, Lillian Hellman? (Anyone hoping, as I was, that this might be a sly reference to the most memorable line in the famous 1992 "Seinfeld" episode "The Contest" will be disappointed.) It's tempting to describe this Diane Keaton-Jack Nicholson vehicle about late-in-life love as a bad movie.